The Artist of
POSSIBILITY
Magazine

Painting is to me as mysterious and magical an act as it was to the painters in the caves of Altamira and Lascaux at the end of the last ice age 14,000 years ago, and I approach it reverently and organically. I often begin a new painting under a full moon. While wet, a painting is an animated creature that changes every moment, needs coaxing and attention, interaction and communion. If everything is right, the process of painting becomes a doorway to the heart of things, and if I’m able to get my linear spacetime-mind out of the way, I can see and feel creation flowing through the heart of matter, water, colors and the texture of the materials that are brought into play together on the canvas. Painting is dancing with the living energy of matter. Observing wet colors, the iridescent textures flow and mix feels like I am viewing archetypes of creation revealing the birth of a cosmos. Painting, for me, is an alchemical art, a transformative process, an energy dance of the gods.
Interviews

Thinking the Impossible: New Myths for a Future Consciousness
An Interview with Dr. Jeffrey Kripal
Mapping the Noosphere: Science, Mysticism, and the Geometry of Consciousness
An Interview with Shelli Renée Joye
The Imaginal Path: Tarot, Telepathy, and the Wisdom of Symbols
An Interview with Julia Eve
The Invisible Causes of Positive Change
An interview with Nora Bateson
Ecology, Christianity, and a Logic of Future Coexistence
An interview with Timothy MortonBook Reviews

A Summary of the Fetzer Institute’s Sharing Spiritual Heritage Report: An review by Ariela Cohen and Robin Beck
By Ariela Cohen
Choosing Earth, Choosing Us: A book review of Choosing Earth
By Robin Beck
Monk and Robot: A book review
By Robin Beck
No Pallatives. No Promises: Radical acceptance as one woman's path to living with grief
By Amy Edelstein